Tabuk Travel on By means of their dances and singing, these young warriors believed that they were summoning into their midst the god of their society, whom also, since he was addressed as the greatest of the Kuroi, they themselves in some way represented. We are here introducing ourselves to an idea which is familiar in Greek religion, yet difficult to express in our own terms, since our civilization has removed us so far from it. It was noticeable how easily Strabo, in the passages quoted, slipped from the notion of the Kuretes as daimones, or as we should say mythical or semidivine beings, to speaking of them as human youths, who by their movements enacted or represented the behaviour of their prototypes. To us, three distinct orders seem to be involved: the god, whom the Greeks called Zeus; the divine warriors who, according to the myth, in those strange far-off days before the dawn of history saved his life by their antics; and the human worshippers of historical times who reproduced the story in a kind of mummers play or country dance. No such clear-cut distinctions were in the minds of those to whom all this was part of a living religion. By letting themselves be caught up in the spirit of the orgiastic ritual, which involved abandoning their everyday, human personalities, they not only represented, but were the Kuretes, and the god himself was the leader of their band. To find the priests of a god calling themselves by the god’s own name is by no means uncommon. Tabuk Travel 2016.