Algeria Country

Algeria Country on It is like a superficial stage set, with nothing behind it. These topographical appearances are not symbolic. They are not allegorical, at least not in the everyday sense of that word. 1hey do not stand for anything beyond themselves. 111ere is apparently nothing hidden behind them, no portentous other, nothing like the stillness of an implacable force brooding over an inscrutable intention that is invoked by Marlow in Heart ofDarkness.2o The topographical appearances in Nostromo are aIl surface. They have no sympathy for the human actions that are Conrad’s Colonial (Non)Community: Nostromo 161 performed with them as backdrop, nor are they antagonistic. Algeria Country 2016.

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